Breaking
Resonance: A Plague Tale Legacy review –picture-postcard retelling of haunting Minoan myth
PlayStation 5, Xbox Series S/X, PC; Asobo Studio
Read full story on The Guardian →
Global — Lewis Gordon
Breaking
PlayStation 5, Xbox Series S/X, PC; Asobo Studio
Read full story on The Guardian →
Global — Lewis Gordon
PlayStation 5, Xbox Series S/X, PC; Asobo Studio
The medieval franchise is transplanted to Crete, conjuring action-adventure magic from familiar ingredients
The path in Resonance: A Plague Tale Legacy is a familiar one. Amid ancient ruins and sun-dappled gorges, a young woman, Sophia, dutifully treads the same footsteps as a Minoan warrior from millennia ago, one with whom she seems to share a visionary connection. The “resonance” between these two characters is made clear by their echoing actions – a crank pushed in the bronze age that still works in the medieval present, for example. Through these spliced timelines, it becomes clear that Sophia, compelled by her supernatural gift, possesses little agency. Destiny beckons her forwards.
This is a smart meta concept for a game that, at its most basic level, boils down to keeping your left thumb planted firmly on the analogue stick, always pushing Sophia onwards in linear fashion. You jostle her through ornate corridors rendered as higgledy-piggledy pirate camps and cobbled Venetian streets. For the greater part of the game, you propel her through the Minoan remains of Crete, which harbour a dark and terrible secret. It is classic third-person action-adventure fare, building on the template laid down by the likes of Tomb Raider and then refined and complicated by titles such as The Last of Us . Little, from an interactive perspective, surprises: you dash, vault and swing between teetering podiums, squeeze through tiny gaps in rock and crouch behind conveniently placed walls to avoid enemies.
The medieval franchise is transplanted to Crete, conjuring action-adventure magic from familiar ingredients
This report is published with credit to The Guardian. Full available text from the wire is above. Read on The Guardian →
Source: The Guardian · Lewis Gordon. Published 27 Aug 2026, 12:00 pm.
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